Is FLAC always smaller than MP3?
No. Losslessly compressed FLAC will commonly be larger than a lossy listening copy. Actual size depends on the audio, duration and encoding settings.
SAVE FOR WHAT COMES NEXT
The right download format depends on where the audio goes next. Choose a file for another editor, a portable listening copy or an archive of the finished result.
Pitch Tempo exports nine audio formats from files up to 5 minutes and 100 MB. You choose the format; advanced bitrate, bit-depth and sample-rate controls are not exposed.
Edit and export your audio for free
The audio tool opens on the Pitch Tempo home page.

For another round of editing, choose a format your editor accepts without lossy compression, such as WAV. For a compact listening copy, MP3 is often a practical option. FLAC can save space while preserving the rendered audio losslessly when your destination supports it. Start with the requirements of the next app or person receiving the file.
Choosing a format is a delivery decision. It does not determine the song’s key or BPM, and a more detailed-looking extension does not make a poor source recording better. Keep your original separately from the processed result.
| Format | Useful when | What to check |
|---|---|---|
| WAV | Importing the result into another audio or video editor | Larger file size and the receiving editor’s requirements |
| FLAC | Keeping a losslessly compressed copy of the result | Support in the destination player or editor |
| AIFF | An editing workflow specifically requests AIFF | File size and the exact delivery specification |
| MP3 | A compact, widely supported listening or sharing copy | Lossy encoding and any further edits you intend to make |
| M4A | Your destination accepts AAC audio in an M4A file | Compatibility with the intended device or application |
| AAC | A workflow asks for a separate AAC file | Whether it expects .aac or the M4A container instead |
| OGG | A player or application requests an Ogg Vorbis file | Playback support, especially in older software |
| Opus | A destination specifically supports Opus audio | Container and player compatibility |
| WMA | An existing workflow requires Windows Media Audio | Support outside that workflow |
The format selector does not offer manual bitrate, bit-depth, channel-count or sample-rate settings. If a studio, event or distributor requires an exact technical specification, verify the downloaded file against that specification; the format name alone is not sufficient.
Lossy encoding reduces file size by discarding some information. Lossless compression stores the audio without that kind of loss, while an uncompressed PCM file such as a typical WAV stores sample data directly.
Suppose the source is an MP3 and you change its tempo. Exporting the result as WAV avoids another lossy encoding stage in that export, but it cannot recover details removed when the original MP3 was made. It also does not reverse any audible texture introduced by changing pitch or tempo.
For repeated production work, keep a suitable lossless working file and make a compressed listening copy when needed. If the only source you have is compressed, it can still be useful; just do not interpret a larger export as restored source quality.
Another editor: WAV is a sensible starting point when accepted. Check the imported file in the project, especially if precise alignment matters. Some compressed formats can introduce encoder delay or padding, and applications do not all handle those details identically.
A rehearsal or listening device: use a format that the actual player opens reliably. MP3 is a common choice, but do a short playback check on that device before depending on it away from your computer.
A saved finished result: FLAC may reduce storage compared with uncompressed audio while retaining the rendered samples losslessly. Keep the original too, since an edited copy is not a substitute for the source.
A file requested by someone else: follow their specification. Ask whether they mean an extension, a codec, a bitrate or a complete delivery standard. M4A, for example, is a container name; Pitch Tempo’s M4A export uses AAC, not an ALAC lossless option.
On the home audio workspace, prepare your file and choose the pitch and tempo settings. When you select Download full track, the chat asks for an output format. Enter a supported name such as WAV or MP3; capitalisation and surrounding spaces do not matter.
If the entry is unsupported, the chat offers the available choices as buttons. Once the complete track has been processed and converted, the result screen provides playback and a download button. Download the file and open it in the destination application to confirm it meets your needs.
The browser player can use an MP3 listening copy for compatibility even when you selected a different export format. Use the download button to obtain the chosen format, and judge that downloaded file in your destination app when checking delivery quality.
One full export finishes that chat’s editing workflow. Choose the required format before submitting; a second full version requires another upload and uses the normal new-chat allowance. The service overview explains the supported workflow and file limits.
No. Losslessly compressed FLAC will commonly be larger than a lossy listening copy. Actual size depends on the audio, duration and encoding settings.
No. Renaming .wav to .mp3 does not encode MP3 audio. Choose the format during export so the audio is actually converted.
The five-minute limit applies to the source upload. Slowing the recording can produce a longer export and can also affect its file size.
A file already saved to your own device stays there until you remove it. Server audio is available for 24 hours for a guest or 7 days for an account, measured from the original upload.
Finish your pitch and tempo settings on the home page, choose the format your next app or listener needs, and download the processed audio.